performingpremodernity.com valuation and analysis

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Title Performing Premodernity | Cutting-edge research on 18th century
Description Stockholm-based Performing Premodernity does cutting-edge academic and artistic research on opera 1760-1815. Join our mailing list. Read our online
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WebSite performingpremodernity faviconperformingpremodernity.com
Host IP 162.241.225.36
Location United States
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performingpremodernity.com Valuation
US$1,742,669
Last updated: 2022-12-05 11:44:10

performingpremodernity.com has Semrush global rank of 6,073,619. performingpremodernity.com has an estimated worth of US$ 1,742,669, based on its estimated Ads revenue. performingpremodernity.com receives approximately 201,078 unique visitors each day. Its web server is located in United States, with IP address 162.241.225.36. According to SiteAdvisor, performingpremodernity.com is safe to visit.

Traffic & Worth Estimates
Purchase/Sale Value US$1,742,669
Daily Ads Revenue US$1,609
Monthly Ads Revenue US$48,259
Yearly Ads Revenue US$579,103
Daily Unique Visitors 13,406
Note: All traffic and earnings values are estimates.
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Performing Premodernity Home People News Research Journal Partners Facebook Welcome to Performing Premodernity! Performing Premodernity is a five-year research project based at the Department of Culture and Aesthetics at the University of Stockholm. It is one of eight Premodernity projects funded by Riksbankens jubileumsfond (The Swedish Foundation for Humanities and Social Sciences). Concentrating on repertoire from the years 1760-1815 and through both academic and artistic research the project aims to contribute to the revitalizing of historically informed performance today. Image: Johann Heinrich Füssli (1741-1825), “Woman Before the Laocoon”, c.1802, Zurich, Kunsthaus The aims of the project, couched in terms of a developing manifesto We aim to reassess the aesthetics and performance ideals of the Late Enlightenment (the period c.1750-1815) as they impact – and may impact – the reception of the period as well as performances today. We question the validity of such stylistic
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